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Tag: tenant spotlight

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Tenant Spotlight: Baily/Thomas Casting

IMG_8658This month’s Tenant Spotlight feature is Baily/Thomas & Associates. This highly sought after casting agency have been long time tenants at our Gower location. You will find their casting prowess on Hulu’s critically acclaimed The Handmaid’s Tale, AMC’s Better Call Saul, AMC’s heavy hitter The Walking Dead and Fox’s hit show Gotham. Ariana caught up with co-founder Sharon Bialy on a warm Friday morning to talk about the agencies beginnings and everything in between.

  • Walking Dead Question: Which are you: a survivor or a walker? Survivor
  • You ladies receive all sorts of gifts, does that ever help with making or breaking a decision? We get really weirded out or uncomfortable when we get a gift from an actor we interview. It absolutely does not help, it might hurt because it’s not appropriate. But we are comfortable when an actor wants to say an extra special thank you, if it’s a huge role or if they know we went out of our way to help them.
  • Have you received anything that was strange? Oh yeah, we got a bloody bat in the mail when we were casting “Negan” for The Walking Dead we were at Sony at the time and Sony took that very seriously. They called the police and it was pretty scary.
  • In the lobby we get a lot of actors who drop off their headshots and resumes for you two. Do you ladies every look at those? And have you ever cast someone who’s dropped those off? I look at every piece of mail that comes in and I appreciate when they drop them at the front with you ladies ::chuckles::

But yes we have cast from drop offs, more than once.

  • Do you accept actors that don’t have proper representation? What could or should an actor do to get through to you two. We’ve hired actors that don’t have agents but if they want to get through, they should be in a play or be in a web series. The reality is there are thousands of actors so you can’t focus on getting into our office. They should stop worrying about that and go out and start doing work – we read the trades, we read the reviews on plays. We’ll find you.
  • Is there a movie that inspired you to be a casting director growing up? I have a lot of movies that I loved growing up and they’re so diverse. From Revenge of The Nerds to James Bond movies to Gone With The Wind. When I was young it was Gone with The Wind. When I was an adult already casting, it was Shawshank Redemption, that was a perfect film.
  • How did you meet Sherry Thomas? Sherry and I met through Debi Manwiller  – a former partner and still a best friend. I was looking for an associate after I was on my own for about six months. I called Debi to see if you she knew of anyone because I had a big job and needed an associate. She recommended Sherry Thomas who had worked with her on 24. We met at a Starbucks and I had four people lined up to meet with and she was the first one and I canceled the others. I was like, ‘That’s it, we’re on!’
  • You have two have worked together for over 16 years. The first two – three years she was my associate and then I made her partner.
  • Why do you think you two work so well together, what clicks with you guys? Complete and utter respect and trust in each other. No competition ever.
  • What are some of the ways studios and showrunners, convey what they’re looking for? At beginning of a project we’ll get on a concept call, and really discuss the character with the creator. Sometimes with the studio or network people involved but usually with the creator of the project because it’s their vision that we’re serving. That’s where it starts – sometimes they will mention an actor that they have in mind. But really, we don’t like to work that way. It’s more so, what are the qualities they’re looking for in a character, so that you we a complete blank slate to really use the casting process the way it should be used –  to really find something exciting.
  • Do you have a database you use? Yes we have a database, we have these books ::points to a wall of five tiered bookcases packed with big binders with shows labeled on the spines::  that I’ve been compiling since I’ve started, with notes on all the actors we’ve ever seen. We use a service called Breakdown Services, where we send out to all the agents and managers and we get ideas and we go through them all.
  • Some actors on your shows, I don’t see or hear of them coming in, do you interview remotely? Well some people self-tape because they’re not in LA, so we’ll get their tape and Skype with them. If it’s a big role, we’ll have to do a test at the studio. It also may be someone that we’re offering to, or maybe for example- Elizabeth Moss came on The Handmaid’s Tale before we did.
  • I’ve spoken to some of the parents that come in for casting for other agencies in the building and they’ve expressed that their kids may or may not get cast based off their social media following. Does Bialy Thomas practice this? It’s definitely very common, but we do not do that at all. Someone’s social media following is not a factor in our casting decisions.
  • You don’t have to tell me who it was obviously… But what was the most horrific casting session you’ve ever had? I’ve had a knife pulled on me once. We were in session and this actress had a knife and got really close to me. This was for a feature, so the next actor, I asked if they had a knife or gun and I said OK you need to go put that back in your car! That was the most horrific.
  • The Handmaid’s Tale has been nominated for 13 Emmy’s. Congratulations! How did you two find out about the nominations? I was at home and Sherry text Russell and I. She told us and I couldn’t find it, so I think Russell text her back asking “Are you sure??”::laughing:: But yes, Sherry told us the great news.
  • Is there a show on air right now that you watch and think I could have done that better? Not better, but more of, I wish I could have cast that, it’s more out of respect. The Night Manager was so well cast and I’m like, damn I would have loved that job!
  • Where do you see Bialy Thomas & Associates in the next 3 years? I think I can speak for Sherry and myself. We’d like to continue to do work that we really believe in and we’re really passionate about- like The Handmaid’s Tale, The Last Tycoon, Barry, or Alan Ball’s Here, Now. When the work really resonates with us, we do better work. We want to work with the people that respect what we do and keep our incredible staff in this beautif
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HPC News Hollywood News

Tenant Spotlight: P3 Post

  • p3post logoExplain what P3 Post is to our readers.

P3 Post is a turnkey post production company and it encompasses anything that has to do with post. Whether it’s a production company starting a project, P3 Post helps from the ground up. Starting with offices, we then work with companies like HPC to provide the space. By giving our clients’ options of available floor plans, we then rent our editing equipment and set it up in those offices. We provide the offline work flow. Once they finish their offline editorial, we provide finishing. So that’s color correction, VFX, audio mix. We do full mix – 5.1 stereo or 7.1 stereo for theatrical and television. In addition, we do final deliverables. Every network has their technical specs and we work with all major networks. We also provide 24/7 tech support for our equipment rentals either over the phone or on site. At one given time we have 100 systems in the field. We primarily look for clients to rent equipment to and also do the final finishes for.

 

  •    How did you start in the post production world?

I’ve been in the business for 21 years and I started when I was 25. I worked with a company that was one of the top production and post production equipment rental houses in Hollywood – Steady Systems. When Steady Systems sold, one of the owners started his own small company and he asked me to join him. We were basically doing sub post. Following that, about 7 years ago, I was 50% owner of another company called Fortitude Editorial where Chainsaw currently is. We were doing commercial work- scripted TV, as well as unscripted and theatrical.

 

  • Who are some of your major clients? Discovery Studios is a big one, ABC, Disney, FOX, and some theatrical work. Right now we are doing a lot of work with FOX Sports. Also, with Greetings Media, which is more on the rental side. Greetings Media is a big client and they are currently doing Battle Bots Season 2. They have about 20 systems tied up on a server. We have had a similar system set up with ABC.

 

  • When you walk into P3 Post there is always a kung fu movie playing at the end of the hallway – what is the title of that film and is there a particular reason why you play it? [laughs] We play some Bruce Lee films. It’s multiple kung fu and martial arts related type films. Growing up I was in classes and even as an adult I still practice. I do think my work ethic and discipline is in part because of my martial arts training. All of us at P3 Post try to follow a certain discipline when it comes to delivering what the client asks. There are no excuses, our job is to deliver and whatever we have to do to make that happen, we make it happen.

 

  • What project is P3 Post most proud of working on? I gotta say, it’s the finishing we’ve done for Discovery. One show in particular called Man Hunt, was shot in multiple continents, the color finishing was fascinating. The atmospheric color in Scotland which is gloomy and then the polar opposite in countries where the colors were vibrant. It was just so much fun for us to work on and be part of that. Aside from that, in general we take pride in the details. For example, we think from the editors’ standpoint. We realize that these editors are working 10-hour days. So we make sure that the mat they’re standing on is ergonomic, that the monitors are properly positioned on the table. Our tables are custom made for P3 Post. We have a guy that creates tables out in Northridge in the San Fernando Valley. He is in charge of making these awesome tables and it makes such a huge difference. Whatever it takes to make the editor comfortable and to make their work space desirable. If the editor is comfortable, we have done our job and we take pride in that.

 

  • What is the most challenging part of what you do? The toughest thing – even though it’s a great thing, being busy is always great. We never complain about being busy. The toughest is juggling all aspects of a certain project and having the project run as smoothly as possible. Finding a harmonious balance with everything. Having said that, it’s easy when you work with great people and have a great team with you. P3 Post is the post house that really makes your project better because we are always looking at ways to make it better, all the while, getting done what the client wants. Finding the balance in that is where our success and reputation come from.

 

  • What three things do you need to be successful in your industry? Clients. [laughs] And being on top of today’s technology. Technology is changing everyday and it’s a matter of being most efficient. Some clients are not familiar with the most recent technology. So we are also educating clients and letting them know there is an easier and more direct way to accomplish what they’re looking to accomplish. There are other clients who are well versed in the latest technology, which is great. Another aspect is marketing, that is also huge for us.
  • Have you ever walked away from a project? Absolutely. We’ve walked away from projects when a client requests a certain workflow that we know from experience is just not going to work. We don’t want to agree to something that we feel collectively will fail. We take on projects with care because we as professionals care about our clients.

 

  • I’m going to loosely quote you from a conversation we had a few months back. In context of your day-to-day operations, you said that you do things your way because if a mistake was made on something, at least it was your mistake. On your dollar. For some reason that resonated with me. Do you still feel this way now? If we are familiar with a work flow or a way of how to get a project done, we stick with it. Unless we’ve researched and tried a different route, we can’t go to a client and 2nd guess ourselves. If in the middle of a project a client wants to experiment while there is a deadline, we are not going to do that. Not to say we are close minded and we won’t try different routes, we just don’t do that at a critical time when a time line has been set and we are responsible to help you get there.

 

  • I saw your before and after color correcting reel on Vimeo. When I was watching the 4-minute video, I thought about how much the industry has changed in the last 2 years since it’s posting. How do you keep up with the latest technology? We adapt. We change. We grow. The clients or networks may have new requirements and we change based on the direction they need to go. We are so involved in our industry that it’s part of who we are. If Avid came up with a new version or fixed a bug on something, we hear about it quickly. We live and breathe what we do so knowledge finds us. That’s what passion is, this is our craft and we love it. That is at the core of P3 Post.

 

  • What aspect of the industry is peaking your interest the most right now? Right now we’re looking at servers. With technology changing and clients looking for 4K – higher resolution means that we need more storage capabilities. There are a lot of big manufactures coming up with great solutions. So we’re always looking for the greatest ways to serve our clients.

 

  • There are some heavy weight post facilities in this town, what separates P3 Post from the rest? We are turnkey and centrally located in Hollywood. Our clients’ walk in the door, we have their space and equipment ready to go. They can walk down the hall to our studios and we can do the finishing touches and deliver to network. They don’t have to go across town and deal with traffic or deal with getting all of the services P3 Post provides at different facilities. For example a production office is housed at one part of town, then they go across the street for post, then they go to another place to do their final coloring and then they’ll go to another location for audio and so on. It is such a waste of time and money and it all adds up. We at P3 Post take care all of those needs under one roof. We are also quick to respond to our clients needs, we are just down the hall or a phone call away. As a matter of fact, you can go to our website and have a live chat and get a response immediately. We are very flexible and that is huge in this town. You can work with our editors closely and have direct control and contact with your project. Our talent includes Grammy and Emmy award winning editors and they all have so much experience in different aspects of post production. From scripted television to theatrical- our team is well rounded and have great skill and are passionate about their profession.

 

  • Where do you see P3 Post in the next 5 years? We have been around for 2 years. We have done very well, we have our finishing suites here at HPC in Hollywood, we have our warehouse downtown, we have equipment rentals all over Los Angeles. We are now going to move from offline editorial to doing more creative editorial. We’ll possibly go to promo and possibly more into production as well. In the next 5 years P3 Post will be creating more of it’s own original content. And partnering up with some of the companies we have been working with.

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HPC News Hollywood News Movies/Television

Tenant Spotlight: Scott Mauro

Scott Mauro Playbill

Scott Mauro’s career spans from the late 1970’s when he first landed his job working on the hustling bustling Broadway circuit as a press assistant. Scott’s career flourished as he worked his way up Broadway’s hottest shows, where Disney eventually recruited him. We caught up with Scott at our Gower location where he has been a tenant for 4 years, to ask about his latest projects and to see what his Valentine’s Day plans are.

You started your career working on Broadway in the late 1970’s. You were a press assistant. Tell us a little bit about that position and who you worked for.

I started my career as a publicist for Broadway shows and then I wound up doing advertising for Broadway shows. That was for the original production of Barnum, Betrayal, among others, there were so many I can’t even think right now. But it was really exciting. I attended opening nights, went to incredible parties, I had so much fun. All the things you can imagine.

How did you land the initial job?

I literally knocked on doors. I knew what I wanted to do very early on when I was a kid. I grew up in New York, and attended Broadway shows. I knew my calling, so after I graduated from college, I sent out a 180 cover letters and resumes. We had to type them out in those days! I did not have a copier; none of that. I networked and I was able to have Liza Minnelli as a client when she was white hot. I had Frank Sinatra and I had Diana Ross, David Bowie. I suddenly was doing advertising for not only Broadway shows, but with various artists when they were out on tour and I did album releases.

You established your production company in 93’, how did that come about? What motivated you to do that?

Well it was very simple. I was head of TV specials for Disney. Disney recruited me out of New York. So because I was working with all of these stars in advertising, the stars would take me along with them to do these TV shows. From that I became a producer. I started producing shows like Night of 100 Stars for ABC and the Tony Awards. I was working with great executive producers who took me under their wing. This was all because of my advertising career. I ended up doing four TV specials for Disney, which aired on NBC. Then I received a phone call from Cher’s team. Cher was going to go out on tour: If I Could Turn Back Time was first tour since Sonny passed away. It was an 15 month job and on top of that I was doing the TV special with CBS. So I was able to leave my job with Disney and have a little bit of security to open up my own production company.

How has the advertising industry changed from 93′ to now?

The biggest change is digital and I love it. Vine, Periscope, Instagram, Snapchat. I was ahead of the pack when it came to the transition into the digital age. I was the first person to put a Broadway show on the Internet. It was a Rodgers and Hammerstein revival and It was primitive in that we put up reviews and pictures, it was very static, but we were the first ones to have a website for a Broadway show. At the time, I didn’t think it was ground breaking, I just knew that we should do it and it was all part of the advertising/marketing strategy.

If there was a movie produced about your life, who would play you and why?

[laughs] No one has ever asked me this before. I don’t know, let me think about this one. I’m thinking maybe Zachary Levi, yes Zachary Levi. I’ve worked with him before and I can see him playing a good father and I see some similarities. But wait, I think I’m changing my answer, I pick David Schwimmer. Yes, because David has the right personality traits and the audience can relate to him.

What is the biggest headache during the process of producing these live shows and events?

It’s always budgets. It always comes down to budget. You want to do the best show you can. Some people don’t want to see the bigger picture and they want to be penny pinchers. It doesn’t always take a lot of money; it just takes money wisely spent. So you must have good venders in place, people who are on the same page. You must work with the same people for the most part. Yes, I have had the same team for 20 years both in New York and in Los Angeles. With very few replacements and I’ve really put together a great team. In fact on a show I recently did with UNICEF with Mariah Carey and Elton john, somebody from UNICEF came up to me and complimented me on the people that work for me.

Favorite actor/performer you worked with? Oh boy, there’s several. Hugh Jackman was great. We collaborated very closely on the Museum of Moving Images Salute to his work. He was great fun. I got to know him and his wife and we hung out a little bit. But for the most part I pretty much have good experiences with most people. The one that I am in most awe of that I worked with is Frank Sinatra. I was part of his team for 18 years and that was quite an experience because he was truly larger than life.

What three things do you need to be successful in your industry? What are deal killers for you?

You have to be passionate, you have to be persistent; you’re going to get a lot rejection. For every yes, you’re going to get 30 no’s and you have to know how to be diplomatic when handling people. I have a reputation for being tougher than most, and that’s fine with me. I’m tough but fair. I’m fair but I’m tough when I need be tough and sometimes whether it be a huge creative team or talent, they may push over the boundary and you have to know when to say enough. But being tough but fair is very important. And what is a deal killer for you? Arrogance. Absolute arrogance. You meet some people who have absolutely no qualifications who are just full of attitude to make up for it. This could be off the record, who has been difficult to work with? No I don’t care, you can put it out there. It’s interesting; I had a really hard time with Sean Connery. No matter what we did we couldn’t make him happy. But then I met him a couple of months later and he absolutely loved my work, loved the evening. He not only became a fan, but he agreed to come to another one of my shows. It’s the most unbelievable story, he turned out to be a pussycat.

On February 9th you’re going to be holding the 13th Annual Woman’s Red Dress Awards 8 years is a long time doing this, what is going to make this year different from the past?

I actually created it; it used to be a cocktail party in a bar where they handled out these little statues. But Larry King who is committed to fighting heart disease because of his cardiac foundation, he brought me in and recommended me to turn it into what it is today. I made it into a show. So we booked the Lincoln Center and then we brought in musical acts and we give out 4 or 5 awards during the event. Over the years we’ve had CeeLo Green, Colbie Caillat, Elvis Costello, Sara Bareilles. There’s a pre-show with photo ops, step and repeat, red carpet, passed hors d’oeuvres. Then we do the show, which is 90 minutes, no intermission, theatre seating. Finally, there’s a 2-hour party with a live DJ and more food and more drinks and all the women wear red. It’s actually one of the most fun events that I do and I’ve very proud of it because it’s for a great cause. Who is on this years lineup? This year we’re going a little country with The Band Perry. We have a woman who is an impersonator; she’s going to be singing “Natural Woman” in 17 voices. So from Britney Spears to Bernadette Peters to Celine Dion straight through, it’s exciting.

Where do you see Scott Mauro Entertainment in the next 5 years?

I want to do more TV specials and more Broadway shows. I would love to bring together a great cast. You look at The Sound of Music Live and it wasn’t critically acclaimed but the ratings were phenomenal. Now we have Grease coming up on FOX, which is going to be great. I have one or two good TV specials in me. Maybe more.

If you could sing one song on American Idol, what would it be? “New York, New York” I was born in raised in New York. I’m a die hard New Yorker. I’m not a singer but the song swings a little bit and I could fake it.

How are you going to be celebrating Valentines Day this year?

Valentine’s Day is a hugely important holiday for my wife and I. This is our 40th Valentine’s Day. Not married, but 40 years since we have been celebrating Valentine’s Day together. We knew there was something going on between us 40 years ago on Valentine’s Day, so it’s a very special day for us. Our first date was the week after Valentine’s Day and in college we used to give each other cards. My wife and I will have brunch that day, she’s picking the place and you better believe I’ll be coming home with chocolates and flowers.

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Celebrity News HPC News Hollywood News Movies/Television

Tenant Spotlight: Byron Balasco creator of Direct TV’s hit show Kingdom

Kingdom

In this Halloween edition of Tenant Spotlight, Ariana caught up with writer/producer Byron Balasco on a warm fall day in Hollywood. Byron is the creator of Direct TV’s hit show Kingdom and is currently writing Season 3 while Season 2 is scheduled to premiere on the Audience Network October 14th at 9/8c. Kingdom is set in Venice Beach and focuses on a family’s mixed martial arts gym and the relationships and addictions of the characters. Kingdom Stars Nick Jonas (Singer/Songwriter) and Frank Gillo (Captain America: The Winter Soldier and The Purge: Anarchy).

 

Wow, Byron you are just cranking out these episodes. What can fans expect in Season 2? The theme of season 2 is the painful ascent. So the gym is on the rise, some of the fighters are on the rise but with that success comes some shifting dynamics with the characters. Not everyone gets dragged along at the same pace and so, many tensions arise.

 

How did the idea for Kingdom come about and how did Venice, California come into the shows setting? I’ve been a fan of MMA for a long time; I really wanted to dive into the MMA world in a way that is different than how the sport itself is marketed. The more and more I got to learn about these fighters and got to know them personally, their lives are filled with the same struggles as anybody else’s but often times a little more extreme. They don’t have a safety net, it’s very dramatic, very risky, there is a lot of high stakes so it was a great place to set a family drama. A lot of things these guys and girls struggle with, mirror what everybody does, so there is universal themes in their lives. But distilled down to a more visceral level.

 

And Venice? Venice came into the setting because there is a ton of MMA in LA so it’s an organic place to have it. Venice is a very interesting setting, where you have a little bit of the glamour of LA but you still have the grit and sort of the danger. It’s sort of all mixed together which is a lot of how the world of MMA is.  

 

The show is centered on Mixed Martial Arts, do you have onset trainers and is craft service a donut free zone? We do have a lot of trainers, professionals on set at all times. All of our background in the gym are real fighters. We have a guy named Joe “Daddy” Stevenson who is a very famous UFC legend and coach who is on set with us every day. He is our onsite technical advisor and he trains all the actors one-on-one, together and while we’re shooting. Joe is on the show a lot. We also have another technical advisor by the name of Greg Jackson. He is a legend in the sport and is the top trainer in the world right now. Greg is based out of Albuquerque, New Mexico but he is the guy I talk to on a regular basis. He and I go through all the scripts. I always go out and spend a couple of weeks with him before every season starts.  

 

One of your fans, Julie Plec, who has tweeted about Kingdom, her writers take daily walks as a group around the facility. What sort of daily rituals do your writers do to get the creative juices flowing? When we come in, we all have coffee and then we beat the shit of Johne Frye, who is our writers assistant. [Laughs] So we beat him around for a while and then when we tire, we’re ready to go.

 

Which character do you most identify with? This isn’t a copout, but really and truly, they all are my favorites in that… As a writer, a little piece of you is in everything, so they each kind of have a thread running through them that is personal or at least interesting. If it’s not the literal thing that they’re dealing with it still has an emotional resonance to me. All of these guys.

 

Ronda Rousey is killing it in the UFC world and has a little feud with Floyd Mayweather. Who do you think would win that fight? Ronda versus Floyd… I think if Ronda could get a hold of him, get him on the ground, she might be able to beat up on him. If it’s stand up, I think he’d probably smoke her. But if she can get a hold of him, who knows.

 

More and more woman are creating a lasting impression in the MMA world, will you have more women in Season 2? We definitely have that this coming season. It’s a huge part of the sport, it’s an incredibly fast growing side. I think Ronda Rousey has been amazing for it and she is dominating and I think in the future the talent pool will become a lot deeper. There will be more rivals for people like Ronda and a little more parody. Right now, she’s just a superstar and everyone else is kind of new.

 

Do you think there is anyone that can beat Ronda right now? No, I don’t think she really has a challenger. But I think it’s great for the sport, it’s happening at every gym you go to. There are women training all the time.

 

Nick Jonas plays Nate Kulina and in Season 1 he battled a lot with his sexuality. Will Nick’s character continue to battle with his sexuality in Season 2? Not only Nate’s character, it’s sort of everyone trying to figure out their identity and who they are and where they fit in. So Nate’s struggle will continue, it’s not so simple. He’s not in a theatre troupe he’s in a fighting family and a very aggressive testosterone driven world. His family loves him, his immediate family of course, but also the family at the gym and the world. They love him. But I think he’s scared and afraid of how his sexuality might re-contextualize him in relation to those people. Even if he is accepted, he doesn’t want to be thought of as other, you know, different.  

 

Mark Consuelos will be guest starring in this coming season as a friend from Alvey’s past. Tell us a little bit about his character. He plays a guy named Sean Chapas, who was a guy who fought with Alvey back in the day. They were contemporaries. They haven’t really seen each other in several years. But in the meantime Chapas has gone off and become very successful. He comes back to see Alvey and I think they both feed each other’s dark side.  

 

What kind of drinking game should Kingdom fans play while watching the Season 2 premiere? Take a show of tequila every time somebody says “fuck”. You’ll get pretty drunk by the time you get out of the teaser.

 

What shows are you binge-watching at the moment? I’m not really binge watching. Well, what’s your go-to when you get home? College football. [laughs] Project Greenlight has been pretty good. I love Veep. I think Veep is such an amazing show. I really like Fargo.

 

What advice would you give to some of our readers who are currently trying to produce a dramatic series? I say, number one, there’s a lot of different ways to do it. I don’t like to know exactly where I’m going. I mean, I like to know the kind of global truth of what I’m going towards. But I don’t like to know plot wise exactly what I’m heading towards. I like to be able to kind of discover as you go, and that’s just how this show works. Not all shows can work that way. But for me, I don’t like to get slaved to a premise or like a hook for the show. I really like it to be about the characters because that’s really what I think, in my opinion, is what people come back for: falling in love with the people populating the show. Versus the hook or the gimmick which, you know, I think you have to have in a lot of ways to sell a network show. But for me, it’s find a great world that you could put your characters in. A world where the premise doesn’t swallow up the characters.   

Last question, it being our Halloween edition, what are you going to be for Halloween? Oh man, a fern.

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HPC News Hollywood News Movies/Television

Tenant Spotlight: Craig Bartlett

craig

Craig Bartlett, creator and exec producer, “Ready Jet Go!” and “Dinosaur Train”

Tell us about yourself.

I was born in Seattle when it was still a scrappy frontier town, and moved to LA right before it became “cool” with the Grunge movement and the arrival of all the dot-com billionaires. I’m not moving back until it’s “not cool” again.

Please describe the industry you’re in.

I make cartoons for kids, mostly for PBS these days, so cartoons for kids with an educational curriculum. The two shows we’re doing here are “Ready Jet Go!,” a kid’s first space show, and “Dinosaur Train,” which, if you’re 4, is like when chocolate met peanut butter.

How long have you been with the company and what is your title?

I started working for the Jim Henson Company (“Dinosaur Train”) in 2007, and for Wind Dancer (“Ready Jet Go!”) last year.

What got you interested in animation?

I studied Fine Art in school, but found it to be too serious. I was always trying to make art that was funny and told a story, which naturally led me to comics, and then to animation.

How did you get involved with the entertainment industry?

Once out of school I found the only animation job in the Northwest working for Will Vinton studios, the Claymation people. Will’s studio became Leica Animation, but by then I had moved to LA, first to direct the Penny cartoons for “Pee Wee’s Playhouse,” then over to Nickelodeon, story editing and directing for “Rugrats,” which led to my own Nick series, “Hey Arnold!”

What are you currently working on?

I’m producing 40 half hours of “Ready Jet Go!” And 10 half hours of “Dinosaur Train,” both for PBS. I also hope to bring more “Hey Arnold!” work to HPC if I can.

You have accomplished so much in your career, what makes you so driven to succeed?

I really love the work – at this point, I get to work exclusively on stuff that I created. So it’s never boring to me. And there’s always something new about it to learn. So I keep at it.

If there is one person to thank for your success who would it be and why?

I would thank both my parents, who were very creative and driven, hard-working people. They set the bar high, and then turned me loose as soon as I was grown, and told me to make my own way.

What do you enjoy most about your job?

Cartoon making is great, because you get to make up your whole universe from scratch. That includes the stories, the look, the voices, the sound design, and the music. And the PBS shows really feature a lot of songs, so I get to write and play songs as part of my job. I’m getting better at music every decade, which is great, because I’m sure not getting better at, say, basketball.

Do you have any shout outs for your employees?

I’m working with lots of great new people, like Producers Rusty Tracy and Blanca Uribe on “Jet” and Melanie Pal and Kadi Rodriguez on “Dinosaur Train,” but I’m also still working with old friends Joe Purdy, Rachel Lipman, and Christie Insley, writing on “Jet,” who’ve been with me for more than 15 years. And with Karl Toerge and Terry Izumi, who’ve been drawing with me 7 years now on “Dinosaur Train.”

Categories
HPC News Hollywood News

Tenant Spotlight: Cynthia de Petris and Edgar Pease

tenant

In this Valentine’s Day edition of Tenant Spotlight we caught up with Cynthia de Petris and Edgar Pease on a cool winter’s day in Hollywood. Cynthia and Edgar both practice law over at our Gower location and they happen to be one of the cutest couples ever! We wanted to know more about how they started out individually as well as what it’s like working together.

Cynthia and Edgar are happy to give a free consultation to anyone in the building with legal issues. Suite 254. (323) 785-2131

Cynthia, I read you passed the bar in 1993. What were you doing before you decided to take the big test?

Cynthia: One takes the bar exam following law school. I wasn’t sure I wanted to be an attorney when I graduated. I had always been a teacher, so I set up my own law school tutorial service and spent two years tutoring law students and bar candidates.  Meantime, Ed passed the bar and needed my help because the practice became very busy, so we decided I would take the test as well. I have been practicing since 1993.

Cynthia, what type of law do you practice?

Cynthia:  I am a family law attorney and deal with civil litigation.  Many of my clients are in the entertainment field and I deal with their divorces, custody, support and business disputes.

Edgar, How has your approach changed towards representing artists during the time you’ve been practicing law? What kind of services do you typically provide as an entertainment lawyer?

Edgar: I developed an approach to musical and theatrical artists based upon my 20 plus years as a professional musician prior to becoming an attorney which allows me to speak the language of the artists I am dealing with since I was once looking at issues as a composer and writer instead of just an attorney. I provide contract analysis, deal memos, copyright and intellectual property litigation and representation, trademark and domain name protection, writer and composer protection from infringers and general entertainment consultation.

Edgar, do you represent any artists that are just beginning their musical career?

Edgar: Yes. I represent a rock band by the name of Acidic who has just concluded a 10 month US Tour known as “Warped Tour 14.”  I also represent producer Angel Chen who is a first time major motion picture executive producer. Long time clients I currently represent include Earth, Wind and Fire, Michael Jackson’s Heal the World Foundation, Carlos Santa/John Ryan, Bobby Womack who recently passed away, Continuim Records (Keith Richards), Academy Award composer David Shire, Emmy Award winning composer James D’Pasquale, Academy Award nominee Carol Connors (Theme from “Rocky” and “Rescuers Down Under – Disney), Misty Copeland/San Pedro Ballet Co., Football Hall of Fame Athlete Eric Dickerson, Screen Writer Jerico Stone, Rock/Metal Bands “The Turtels,” Rare Earth, White Snake, Thin Lizzy, Stanley Clarke (famous Jazz musician), Janet Jackson, Jessie J/Loomis and the Lust federal copyright litigation, currently consulting on copyright infringement issues related to 12 Years a Slave/Desperate Housewives, among others.

Cynthia, what do you like most about working with Ed in the same practice?

Cynthia: He’s extremely creative he never says no to a client. And he’s extremely loving and compassionate with every client. It’s inspiring to watch that.

Edgar, what do you like most about working with Cynthia in the same practice?

Edgar: We have been married 24 years now. First of all, she’s such a good attorney; she’s really good at her job. We went to law school together. Between the two of us we make a lawyer. [Laughing] Judges and lawyers see us together all the time. People say when you hire one of us, you get two.

What are you two doing for Valentine’s Day?

Cynthia: We are going to Pupukae which is on the North shore of Hawaii. We have a little place there that overlooks the ocean.

 

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HPC News

Tenant Spotlight: Hovelstay

Picture4Hovelstay is a vacation rental site for anti-luxury accomodations. The more unique and adventurous the property for short-term vacation rental, the more they want it. They even have patches of dirt for nightly rent in Seattle.

How did you get the business idea for Hovelstay?  

We, Michael Womack and I, worked for years in the luxury vacation rental industry and thought it would be funny to go in the opposite direction, down-selling places to stay.  We didn’t realize we were tapping into a previously untapped travel demand.

When did Hovelstay officially launch?  

July 18th was our formal launch day, for students only.  Since getting slammed with emails from all over, specifically baby boomers wanting to stay in inexpensive and fun places, we relaunched our site on October 18th, opening it up to everyone.

What would you say is the most interesting listing on your site?

There are too many to list.  I highly recommend a visit to the site itself.

What was your initial reaction when you received many inquiries from non-students about opening it up to everyone?  

Amazing.  We are continually surprised at how many people love what we are doing and want to be a part of it.

What do you enjoy most about your job?

Meeting so many cool and interesting people, and of course, creating something that has some real teeth in the market.

Are there any big future plans for your company?

We are expanding overseas, opening an office in London as we speak and signing some big partnership agreements.  It’s pretty great.

 

Categories
HPC News Glendale News

Tenant Spotlight: Flying Mollusk

Nevermind_TeamPhoto

Flying Mollusk is an independent video game development studio who makes “edgy games for good.” By that, we mean that we make games that, first and foremost, are just as fun and thrilling as any “traditional” video game out there – but also give back to players by surreptitiously teaching them a new skillset, exposing them to new ideas, or simply inspiring them in the process. Right now we’re a plucky team of four full-time members who collectively have over 30 years of game development experience across all aspects of the game industry

What does Flying Mollusk do and how did it get established?

I have always been very passionate about the potential of “positive games,” but have struggled to find existing studios that make games that are fun, beneficial to the player, and developed for adult audiences (as opposed to many of the “edutainment” games created primarily for children). Ultimately, I realized that the best way to pursue my dream of making these “edgy games for good,” would be by establishing my own studio dedicated to creating high-quality, fun, and beneficial virtual experiences. At the end of 2013, I left my job at a larger, mainstream studio to create Flying Mollusk and focus on our first title, Nevermind.

Describe Nevermind and the inspiration behind it.

Nevermind is a biofeeback-enhanced horror adventure game that reacts to your fear and stress. While you play this mystery thriller, the game is constantly reading your anxiety levels. As you start to become a little scared, the game will dynamically respond by becoming harder. The longer you stay scared or stressed, the harder the game will become – so the trick is to learn how to manage your fear and stress in intense situations on the fly.

The big picture idea with Nevermind is that by learning and practicing stress management techniques through playing the game, you will start to habituate the mindfulness and stress management techniques that you need in everyday life. For example, in Nevermind, you may find yourself practicing deep breathing to bravely cross that foreboding bridge into the darkness unscathed – in real life, you may find that that same deep breathing technique will help you calmly get through rush hour traffic on the freeway, prepare to give a nerve-wracking speech, or keep a clear head when you’ve misplaced your keys and are running late for a meeting.

Nevermind started as my Master’s thesis project at the University of Southern California – where the proof of concept was developed back in 2011-2012. I went into my thesis year knowing that I wanted to make a “positive game” that used biofeedback input (technology that I had experimented with a few years prior). As a longtime fan of a darker aesthetic, I also really wanted to try my hand at the horror genre. With those three goals in mind, the seeds for what Nevermind would ultimately become were planted.

What made you want to make a horror game as opposed to any other genre?

I’ve always been a huge fan of the horror genre. As a toddler, I watched the Alien VHS tape so many times that it fell apart. In highschool, I had almost every episode at that time of the X-Files and Millenium memorized. My personal art style has always trended toward the creepy and macabre. In many ways, the horror genre has always been in my blood and making Nevermind a horror game was clearly a natural fit given my goals and ambitions for the project.

What was your initial reaction when Intel reached out to you about Nevermind?

It was incredibly exciting and validating to have Intel reach out about Nevermind. The Intel® RealSense™ camera technology is such a perfect fit for our long-term goals for Nevermind – as it allows us to seamlessly capture the biofeedback data we need and gives us new tools for creating an immersive experience. It has been wonderful working with Intel and the future of Nevermind is brighter than ever because of it!

What do you enjoy most about your job?

Video game development is one of the coolest jobs ever – not only because you get to make video games (my inner 12-year old still can’t believe this is my actual job), but because everyone you work with has such a diverse background of skillsets, interests, and experiences. The video game industry can sometimes get a bad rap, but  – in my experience – it is one of the most interesting and supportive communities I’ve been a part of. It is a fertile field of innovation and exploration – and waking up every morning knowing that I’m part of something that can make people happy and help improve their lives is a privilege that never gets old.

What’s in the future for Flying Mollusk?
We’re currently focused on developing Nevermind and are planning to launch the full version around October 2015 (with some content being released via Steam Early Access between now and then). After Nevermind, we’ll continue to make edgy games for good leveraging the coolest technology out there to make unforgettable experiences that will also, in ways small and large, make the world a better place.

 

 

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Celebrity News HPC News Hollywood News Glendale News Movies/Television

Tenant Spotlight with Rob Thomas

If you have ever seen Dawson’s Creek, 90210 (2008) or Veronica Mars. You have Rob Thomas to thank in part for your television viewing pleasure. We caught up with Rob on a busy Monday here in Hollywood- who is finishing up CW’s soon to be hit- iZombie. If you’re a Veronica Mars fan we have some exclusive information for you.

You are known for many literary works including bestselling novels and hit television shows. When did you begin writing fiction and who influenced your style and genre? What do you like most about young adult fiction?

I started writing my first novel when I was 27, finished it when I was 28. I’m sure I was influenced by John Hughes, Chris Crutcher, Paul Zindel. I think there is inherent high-drama in teenagers’ lives. There are so many firsts, everything seems so important, every failure is absolute tragedy, every romance feels like it’s the one.

There is such a big Veronica Mars following. What can fans expect in the future? Will there be another Veronica Mars feature or the possibility of continuing the TV show?

There will be at least one more novel that will come out in early 2015. We also have episodes of Play It Again, Dick, the Veronica Mars spinoff webseries, coming out for the next six weeks. We all hope there will be another Veronica Mars movie but there’s nothing in the works yet on that front.

We dug up a fun fact about you… You played in a few bands back in Texas. What instrument did you play and who were your biggest influences in your music?

I played bass guitar because it had the fewest number of strings. And I had never played an instrument before joining the band. It seemed like the quickest path. I wanted to play like Tommy Stinson of The Replacements because it wasn’t very complicated. It felt like you could have a six pack before the show and you could still deliver.

How has your love for the Texas music scene play out in your writing and have you gone to SXSW yet?

My band played the first few years of SXSW back when you could be a mediocre local band and make it into the festival. Most of my friends back in Austin played in bands in the 80s and 90s and I still use a lot of music from that time and from those musicians in the shows I write.

What are some songs that are currently in heavy rotation in your car or mp3 player?

The new Spoon album. The new Tom Petty album. The last Okkervil River album. And the last Mark Lanegan album.

iZombie is gaining a lot of momentum on the social media front. What are you most excited about with this project? And when will iZombie air?

Because we’re midseason, we’re unsure when we’re going to air. But I’m starting to see cuts of the first episodes and I’m really proud of how they’re turning out. This one has a good feel to it.

What advice do you have for some of our readers in regard to focusing and honing in on a writing style.

Blood on the page. Don’t be too easily satisfied. It’s easy to write a scene that sounds like it could be on television. It’s usually an arduous journey to actually get something down that will be special or memorable.

Categories
HPC News Hollywood News

Tenant Spotlight with Courtney Solomon

We chatted with Courtney Solomon of After Dark Films at HPC in Hollywood.
We chatted with Courtney Solomon of After Dark Films at HPC in Hollywood.

We had the opportunity to catch up with Courtney Solomon of After Dark Films and Cinelou Films from our Hollywood Production Center location…

Hi Courtney, tell us about yourself.

I am a producer, writer and director.

 

What does After Dark Films and Cinelou Films do, and how did it get established?

I started my first production company in 1995 called Sweetpea Entertainment. In 2000 Sweetpea released DUNGEONS & DRAGONS, which I produced and directed. Then in 2005 myself and Allan Zeman founded the production company, After Dark Films. I wrote and directed our first release, AN AMERICAN HAUNTING, starring Sissy Spacek and Donald Sutherland.

My other company and new business venture is called Cinelou Films, which my partner, Mark Canton and I started this year. We completed our first film, CAKE, earlier this year starring Jennifer Aniston and we are excited to announce that it will have its world premiere in Toronto at the Toronto Film Festival next month.

 

Please describe the industry you’re in.

The industry I am in is very interesting and fast paced. We take scripts that we get from reputable agencies and package them from the ground up. Sometimes they may come to us with a director or A-list star already attached and then we start casting other roles, we start looking at the budget, where we can shoot it, when we can start, etc.

 

How did you get to where you are now?

I work really hard and succeeding is a promise I made to myself. I’m extremely passionate about what I do and I love filmmaking.  I love directing, it will always be a love of mine. And when I’m producing, I’m still a filmmaker. I’m always on set and hand-ons with the director and crew, as well as the cast.

 

How did you get involved with the entertainment industry?

My mom, Fran Solomon, was in the business in Toronto. I grew up on movie sets and truly loved the world of filmmaking.

 

What other films have you worked on in the past?

Directed  DUNGEONS & DRAGONS, GETAWAY, wrote and directed AN AMERICAN HAUNTING.

 

You have accomplished so much in your career, what makes you so driven to succeed?

I just think it’s either within somebody or not within somebody, that’s a personal choice.

 

If there is one person to thank for your success who would it be and why?

My mother, Fran Solomon.

 

What do you enjoy most about your job?

Filmmaking / directing.  I also love seeing the final product after putting so much time and energy into it. It’s a great feeling.

 

What’s in the future for After Dark Films and Cinelou Films?

Cinelou Films is my main focus now. After our first film, CAKE, premieres in Toronto, we will get ready to move forward and start production on our next film, an Iraq war drama called YELLOW BIRDS starring Benedict Cumberbatch, Tye Sheridan and Will Poulter. We are in talks on a few other wonderful projects that I am very excited about and will be able to share soon

 

Thanks for taking the time out of your busy day to interview with us, Courtney!

 

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