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Tenant Spotlight: Byron Balasco creator of Direct TV’s hit show Kingdom

Kingdom

In this Halloween edition of Tenant Spotlight, Ariana caught up with writer/producer Byron Balasco on a warm fall day in Hollywood. Byron is the creator of Direct TV’s hit show Kingdom and is currently writing Season 3 while Season 2 is scheduled to premiere on the Audience Network October 14th at 9/8c. Kingdom is set in Venice Beach and focuses on a family’s mixed martial arts gym and the relationships and addictions of the characters. Kingdom Stars Nick Jonas (Singer/Songwriter) and Frank Gillo (Captain America: The Winter Soldier and The Purge: Anarchy).

 

Wow, Byron you are just cranking out these episodes. What can fans expect in Season 2? The theme of season 2 is the painful ascent. So the gym is on the rise, some of the fighters are on the rise but with that success comes some shifting dynamics with the characters. Not everyone gets dragged along at the same pace and so, many tensions arise.

 

How did the idea for Kingdom come about and how did Venice, California come into the shows setting? I’ve been a fan of MMA for a long time; I really wanted to dive into the MMA world in a way that is different than how the sport itself is marketed. The more and more I got to learn about these fighters and got to know them personally, their lives are filled with the same struggles as anybody else’s but often times a little more extreme. They don’t have a safety net, it’s very dramatic, very risky, there is a lot of high stakes so it was a great place to set a family drama. A lot of things these guys and girls struggle with, mirror what everybody does, so there is universal themes in their lives. But distilled down to a more visceral level.

 

And Venice? Venice came into the setting because there is a ton of MMA in LA so it’s an organic place to have it. Venice is a very interesting setting, where you have a little bit of the glamour of LA but you still have the grit and sort of the danger. It’s sort of all mixed together which is a lot of how the world of MMA is.  

 

The show is centered on Mixed Martial Arts, do you have onset trainers and is craft service a donut free zone? We do have a lot of trainers, professionals on set at all times. All of our background in the gym are real fighters. We have a guy named Joe “Daddy” Stevenson who is a very famous UFC legend and coach who is on set with us every day. He is our onsite technical advisor and he trains all the actors one-on-one, together and while we’re shooting. Joe is on the show a lot. We also have another technical advisor by the name of Greg Jackson. He is a legend in the sport and is the top trainer in the world right now. Greg is based out of Albuquerque, New Mexico but he is the guy I talk to on a regular basis. He and I go through all the scripts. I always go out and spend a couple of weeks with him before every season starts.  

 

One of your fans, Julie Plec, who has tweeted about Kingdom, her writers take daily walks as a group around the facility. What sort of daily rituals do your writers do to get the creative juices flowing? When we come in, we all have coffee and then we beat the shit of Johne Frye, who is our writers assistant. [Laughs] So we beat him around for a while and then when we tire, we’re ready to go.

 

Which character do you most identify with? This isn’t a copout, but really and truly, they all are my favorites in that… As a writer, a little piece of you is in everything, so they each kind of have a thread running through them that is personal or at least interesting. If it’s not the literal thing that they’re dealing with it still has an emotional resonance to me. All of these guys.

 

Ronda Rousey is killing it in the UFC world and has a little feud with Floyd Mayweather. Who do you think would win that fight? Ronda versus Floyd… I think if Ronda could get a hold of him, get him on the ground, she might be able to beat up on him. If it’s stand up, I think he’d probably smoke her. But if she can get a hold of him, who knows.

 

More and more woman are creating a lasting impression in the MMA world, will you have more women in Season 2? We definitely have that this coming season. It’s a huge part of the sport, it’s an incredibly fast growing side. I think Ronda Rousey has been amazing for it and she is dominating and I think in the future the talent pool will become a lot deeper. There will be more rivals for people like Ronda and a little more parody. Right now, she’s just a superstar and everyone else is kind of new.

 

Do you think there is anyone that can beat Ronda right now? No, I don’t think she really has a challenger. But I think it’s great for the sport, it’s happening at every gym you go to. There are women training all the time.

 

Nick Jonas plays Nate Kulina and in Season 1 he battled a lot with his sexuality. Will Nick’s character continue to battle with his sexuality in Season 2? Not only Nate’s character, it’s sort of everyone trying to figure out their identity and who they are and where they fit in. So Nate’s struggle will continue, it’s not so simple. He’s not in a theatre troupe he’s in a fighting family and a very aggressive testosterone driven world. His family loves him, his immediate family of course, but also the family at the gym and the world. They love him. But I think he’s scared and afraid of how his sexuality might re-contextualize him in relation to those people. Even if he is accepted, he doesn’t want to be thought of as other, you know, different.  

 

Mark Consuelos will be guest starring in this coming season as a friend from Alvey’s past. Tell us a little bit about his character. He plays a guy named Sean Chapas, who was a guy who fought with Alvey back in the day. They were contemporaries. They haven’t really seen each other in several years. But in the meantime Chapas has gone off and become very successful. He comes back to see Alvey and I think they both feed each other’s dark side.  

 

What kind of drinking game should Kingdom fans play while watching the Season 2 premiere? Take a show of tequila every time somebody says “fuck”. You’ll get pretty drunk by the time you get out of the teaser.

 

What shows are you binge-watching at the moment? I’m not really binge watching. Well, what’s your go-to when you get home? College football. [laughs] Project Greenlight has been pretty good. I love Veep. I think Veep is such an amazing show. I really like Fargo.

 

What advice would you give to some of our readers who are currently trying to produce a dramatic series? I say, number one, there’s a lot of different ways to do it. I don’t like to know exactly where I’m going. I mean, I like to know the kind of global truth of what I’m going towards. But I don’t like to know plot wise exactly what I’m heading towards. I like to be able to kind of discover as you go, and that’s just how this show works. Not all shows can work that way. But for me, I don’t like to get slaved to a premise or like a hook for the show. I really like it to be about the characters because that’s really what I think, in my opinion, is what people come back for: falling in love with the people populating the show. Versus the hook or the gimmick which, you know, I think you have to have in a lot of ways to sell a network show. But for me, it’s find a great world that you could put your characters in. A world where the premise doesn’t swallow up the characters.   

Last question, it being our Halloween edition, what are you going to be for Halloween? Oh man, a fern.

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Tenant Spotlight: Craig Bartlett

craig

Craig Bartlett, creator and exec producer, “Ready Jet Go!” and “Dinosaur Train”

Tell us about yourself.

I was born in Seattle when it was still a scrappy frontier town, and moved to LA right before it became “cool” with the Grunge movement and the arrival of all the dot-com billionaires. I’m not moving back until it’s “not cool” again.

Please describe the industry you’re in.

I make cartoons for kids, mostly for PBS these days, so cartoons for kids with an educational curriculum. The two shows we’re doing here are “Ready Jet Go!,” a kid’s first space show, and “Dinosaur Train,” which, if you’re 4, is like when chocolate met peanut butter.

How long have you been with the company and what is your title?

I started working for the Jim Henson Company (“Dinosaur Train”) in 2007, and for Wind Dancer (“Ready Jet Go!”) last year.

What got you interested in animation?

I studied Fine Art in school, but found it to be too serious. I was always trying to make art that was funny and told a story, which naturally led me to comics, and then to animation.

How did you get involved with the entertainment industry?

Once out of school I found the only animation job in the Northwest working for Will Vinton studios, the Claymation people. Will’s studio became Leica Animation, but by then I had moved to LA, first to direct the Penny cartoons for “Pee Wee’s Playhouse,” then over to Nickelodeon, story editing and directing for “Rugrats,” which led to my own Nick series, “Hey Arnold!”

What are you currently working on?

I’m producing 40 half hours of “Ready Jet Go!” And 10 half hours of “Dinosaur Train,” both for PBS. I also hope to bring more “Hey Arnold!” work to HPC if I can.

You have accomplished so much in your career, what makes you so driven to succeed?

I really love the work – at this point, I get to work exclusively on stuff that I created. So it’s never boring to me. And there’s always something new about it to learn. So I keep at it.

If there is one person to thank for your success who would it be and why?

I would thank both my parents, who were very creative and driven, hard-working people. They set the bar high, and then turned me loose as soon as I was grown, and told me to make my own way.

What do you enjoy most about your job?

Cartoon making is great, because you get to make up your whole universe from scratch. That includes the stories, the look, the voices, the sound design, and the music. And the PBS shows really feature a lot of songs, so I get to write and play songs as part of my job. I’m getting better at music every decade, which is great, because I’m sure not getting better at, say, basketball.

Do you have any shout outs for your employees?

I’m working with lots of great new people, like Producers Rusty Tracy and Blanca Uribe on “Jet” and Melanie Pal and Kadi Rodriguez on “Dinosaur Train,” but I’m also still working with old friends Joe Purdy, Rachel Lipman, and Christie Insley, writing on “Jet,” who’ve been with me for more than 15 years. And with Karl Toerge and Terry Izumi, who’ve been drawing with me 7 years now on “Dinosaur Train.”